Re: [Harp-L] Bagpipe harp
- To: Paul Bowering <paul_bowering@xxxxxxxxx>
- Subject: Re: [Harp-L] Bagpipe harp
- From: michael rubin <michaelrubinharmonica@xxxxxxxxx>
- Date: Fri, 15 Jan 2010 07:51:01 -0600
- Cc: harp-l@xxxxxxxxxx
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One of the greatest gifts of my life was when James built me a bagpipe
harp. 4 draw IS D. The C G G pattern on blows 1 2 and 3 create a C
power chord. The same chord is in draw 1 and 2. I assume putting an
A note in 3 blow would distort the sense of a drone produced by the
current layout.
Michael Rubin
Michaelrubinharmonica.com
On 1/15/10, Paul Bowering <paul_bowering@xxxxxxxxx> wrote:
> James Conway makes great use of a bagpipe/drone tuning that I think he pioneered. From the archives I found the following layout:
>
> 1 2 3 4 5 6 7 8 9 10
> C G G C E G C E G C
> C G Bb C F A Bb D F A
>
> Holes 1 and 2 provide the drones but I'm a little confused about how to use this tuning. I assume it's played as first position mixolydian. Why is there no D on Draw 4? Or an A on Blow 3.
>
> P.B.
>
>
>
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